Knitting Pattern Essentials.

Sally Melville’s latest book has arrived.

DSCN1649

Knitting Pattern Essentials is a comprehensive guide to sweater construction that teaches how to draft and modify knitting patterns. Melville covers the basic elements of knitted garments, different hemlines, necklines, sleeves, sides, and shoulders, then talks about how to combine them or alter them to suit your preferences.

DSCN1651

From there, Melville gets into the fine points of sweater design, the parts that for some, can be most intimidating: doing the math, and translating the numbers into directions for creating knitted fabric.

DSCN1654

Any knitters out there who are interested in sweater design will find a lot to chew on in Knitting Pattern Essentials. Come by the shop to check it out, and get it at 15% off if you come in during our Annual Inventory Sale!

On alternating skeins.

Many of the yarns we sell are hand-dyed, which is what gives them such beautiful variation in color. From favorite companies like Malabrigo, Swans Island, Dream in Color, String Theory, Colinette, and more, some hand-dyed yarns are multicolored and variegated, others are semi-solid or tonally variegated. They can differ in many ways, but all hand-dyed yarns have one thing in common: no two skeins are exactly alike, even in the same colorway, even from the same dye lot. Sometimes this doesn’t matter: for one-skein projects, projects that combine multiple colorways in stripes or colorwork, or projects where you work with two yarns held together, you probably don’t have to worry about the difference between one skein of hand-dyed yarn and another. When you’re making a larger project, like a sweater, wrap, or blanket, the slightest difference between skeins can become apparent at the point where you change from one ball of yarn to the next. Here’s an example:

DSCN1644

See how the bottom of the right front is darker than the rest of the sweater? That part was worked in one skein of Ella Rae Lace Merino, and the rest of the right front was worked in another skein in the same color, from the same dye lot. In a truly solid yarn, this transition would be invisible, save for the woven-in ends on the wrong side, but in a hand-dyed yarn, it can be painfully obvious.

DSCN1643

What to do? The answer is simpler than it may sound: alternate skeins. That means working from two balls of yarn at once, knitting two rows from one, then two from the other, back and forth as if you were knitting stripes. This blends the two skeins together, so that the difference between the two isn’t so noticeable.

DSCN1641

You don’t have to cut the yarn every time you go from one skein to the next; because your stripes are only two rows thick, you can just carry your yarn up the side of your work. Work two rows with Skein 1, then just let it hang. Pick up Skein 2, pulling it up and over Skein 1, and knit two rows from Skein 2.

DSCN1642

When you’re done with that second row, you’ll find that Skein 1 is there waiting for you, ready to knit two more rows–no need to cut yarn, no ends to weave in.

DSCN1659

This week, I started a sweater in String Theory Merino DK, and I’m alternating skeins every two rows even though this particular colorway, Cobalt, is very nearly solid. It’s an extra step, to be sure, but once you get in the rhythm of it, alternating skeins is no problem. Hand-knit garments are a big investment of both time and money, and we deserve to be absolutely thrilled with the result of our handiwork. Alternating skeins when knitting with hand-dyed yarn helps keep the colors consistent across a larger piece of fabric, which will likely make you happier in the long run. Give it a try if you haven’t yet, and you’ll be surprised by how simple it is!

KnitScene.

The Fall 2013 issue of KnitScene is here!

DSCN1645

There are many tempting projects within: plenty of cardigans and pullovers, and a nice selection of shawls, hats, mitts, and other accessories. KnitScene always has a tutorial or two showing specific techniques, and this time it’s all about incorporating chevron stripes into your knitting.

DSCN1648

I recognized some familiar yarns in this issue, too; this lacy 2-color shawl is made in the dk weight Malabrigo Silky Merino.

DSCN1646

DSCN1647

The “Penny Candy” cardigan calls for Fibre Company Acadia, a dk weight blend of merino wool, alpaca, and silk. It looks like a simple, wearable knit, mostly reverse stockinette fabric with a bit of eyelet patterning along the bottom edge, which gives the yarn a chance to shine. Acadia is slightly textured and has a tweedy quality because of the silk slubs in the yarn that take the dye differently from the wool and alpaca.

DSCN1260

Come by the shop to snag a copy of KnitScene, and to plan your next project at 15% off during our Annual Inventory Sale!

Annual Inventory Sale!

july sale 2013

As many of you know, July is our annual inventory sale month. From the 1st to the 31st, everything in the shop is discounted by 15%, with the exception of classes and yarns that have already been discounted. If you’ve had your eye on a special skein, or have been planning a big project or two, now is the time to take the leap!

DSCN1526

Take the July sale as an opportunity to try a yarn you’ve never tried before, to finally get some Mountain Meadow Wool Cody or Titus on your needles. You might also take advantage of the sale by stocking up on a favorite yarn you’ve used and loved before, like Malabrigo Rios or Berroco Ultra Alpaca.

DSCN1582

It’s not just yarn that’s on sale, either; you’ll get 15% off needles, hooks, books, bags, notions and accessories during our July sale, too. Whatever it is you’ve been wanting, come by the shop anytime during the month of July to get 15% off your purchase!

 

Just a reminder–all sales are final on sale items; there can be no exchanges, no returns, nor will we special order. Discount applies only to in-store purchases. Thanks!

Color Affection.

On the drive back from TNNA, I finished knitting Color Affection, a shawl made in three shades of Titus.

DSCN1633

Many of you have probably run into this pattern before. Maybe you’ve made one yourself, or one of your friends has made one, or maybe you’ve perused the 9,300+ Color Affections on Ravelry. It’s an asymmetric, crescent-shaped shawl in lace or fingering weight yarn, knit all in garter stitch stripes. Increases and short rows create the curvy shape, and much of the pleasure of knitting it is in seeing how the colors play together.

DSCN1636

Titus, a fingering weight blend of Wensleydale and Bluefaced Leicester wools and British Alpaca, is fuzzy and creates a gently draping fabric at this loose gauge, a perfect match for Color Affection. The pattern, written by designer Veera Valimaki, calls for 385 yards of each color; each skein of Titus has only 350 yards, but I decided to try it with one skein of each anyway, and cross my fingers that I had enough to complete the shawl as written. Luckily, I finished with yarn to spare.

DSCN1640

At the shop, you’ll find this Color Affection hanging on the wall below Wingspan. Come by to try it on for size, admire Titus, and plan a Color Affection of your own. If there’s not a color combination in Titus that wins your affection, consider Isager Alpaca 2, Swans Island Organic Merino Fingering, or Sincere Sheep Equity Fingering. See you at the shop!

Vogue & Creative Knitting.

Two new magazines have made themselves at home on the teacart: Vogue Knitting and Creative Knitting.

DSCN1625

Vogue is full of garments, from sweaters and dresses to cowls and other accessories. There’s a collection of cropped sweaters, a group of intarsia sweaters, and plenty of other patterns to keep your needles busy in the coming months.

DSCN1626

DSCN1627

DSCN1629

Creative Knitting is focused on circular and seamless knitting this issue, and is peppered with tutorials as well as projects that suit the subject.

DSCN1630

DSCN1632

DSCN1631

Come by the shop for knitting inspiration, and to peruse these latest publications. See you there!

Headed home.

Sunday was another long day of walking up and down the aisles here at TNNA, talking to vendors, and placing orders. We’d spent Saturday night swatching new yarns to see how we liked them, and oh, how we loved them! Though we didn’t get much sleep, by Sunday morning, we were ready to pick out colors and invite these new yarns to the shop.

20130624-093017.jpg
Along the way, we ran into one of our heroes, Clara Parkes, a writer, designer, and expert reviewer of all things fiber. We told her how very many times we’ve followed her lead on new products and yarn, like Titus and the Lilly Brush, and thanked her for all that she does.

20130624-100050.jpg
We were a little star struck.

20130624-100217.jpg
It’s been an incredible trip, and meeting Clara Parkes was the cherry on top. Now we’re heading home to the shop, which will be open Tuesday morning, as usual. See you there!

Scenes from TNNA.

Here in Columbus, we started another day at TNNA with early morning classes. Anne took a business class with Andrea Marquis, our sales rep for Mountain Meadow Wool and Yarn Hollow. Rosi and I both took “Learning to Love Intarsia,” taught by designer Sally Melville. The technique was brand new to me, and Sally made it clear, doable, and exciting. From there, we went to the market floor, where hundreds of vendors had set up booths filled with yarns and garments. We went from booth to booth, checking out new products and catching up with some of our favorite companies. Along the way, we spotted a few designers we recognized, the likes of Amy Herzog, Stephen West, Grace Anna Farrow, and Anne Hanson. It’s been an exciting, inspiring, fabulous day; here are some scenes from the market floor.

20130622-221349.jpg

20130622-220023.jpg

20130622-220112.jpg

20130622-220224.jpg

20130622-220448.jpg

20130622-220536.jpg

20130622-220623.jpg

To market we go.

On Thursday afternoon, Anne and Rosi and I piled into the car and headed to Columbus, Ohio. The National Needle-Arts Association holds an annual conference and trade show in Columbus every June, an event we often refer to simply as “TNNA.” TNNA is where we do the majority of our fall and winter yarn ordering for the shop, and where we look out for exciting new products and project ideas. We also take classes, both in technique and in business, and we come home even more inspired than usual to be in the business of yarn.
20130621-143755.jpg
This morning, we had our first classes. Anne studied “7 Techniques to Instantly Make You a Better Knitter” with designer Cat Bordhi. The seven techniques are all used in one of Bordhi’s patterns, a cabled cowl, which Anne and the other students will create during this day long class. Meanwhile, Rosi brushed up on finishing techniques with Chris Bsylma, skills that we all benefit from revisiting from time to time.

20130621-141718.jpgI took a class with Melissa Leapman called “Crochet for Cowards,” aimed at knitters looking to pick up new crochet skills. Until this morning, all my crochet skills were self-taught, and it was useful to check those skills with an encouraging instructor. We practiced chain, single, double, and slip stitches, worked on flat swatches and in the round, and started two projects: a purse and a hat. Most helpful of all was troubleshooting common crochet pitfalls, like extra stitches, loose edges, and turning chains. I left feeling more confident, one of the loveliest possible side effects of a needlework class, and spent lunchtime practicing a new-to-me stitch pattern, “crochet seed stitch.”
20130621-142501.jpgTonight, we’re looking forward to Sample It, an event that allows us to purchase samples of all kinds of new products, from yarns and patterns to bags and other accessories. That way, we can try them out before we decide to buy them for the shop. It’s always a bit of a feeding frenzy, with a long line outside the door and plenty of activity within. That long line is where I’m headed next; I’ll report back tomorrow from the market floor!

Three new knit samples.

Over the weekend, Amy dropped off three new knit samples, each one the subject of an upcoming class.

DSCN1619

We’ve seen this Multidirectional Diagonal Scarf pattern made up in Zauberball Starke 6; here, it’s shown in Noro Silk Garden in shades of blue, green, and purple. The self-striping yarn really highlights the short-row construction of this garter stitch scarf, and the aran weight yarn knits up quickly, creating a cozy accessory.

DSCN1623

The Multidirectional Diagonal Scarf class meets two Saturday afternoons in August; read more about it and sign up on our website.

DSCN1621

This Inspira Cowl is knit with two different colors of Noro Kureyon in a simple stranded colorwork pattern. It’s a generously sized cowl that is shaped to hug the neck and accomodate the shoulders. The Inspira Cowl is an opportunity to learn to knit in the round, make decreases, and work a two-color stranded knitting pattern. Class meets two Saturday afternoons in September; head over to our website to sign up now.

DSCN1620

This last sample, a fair isle tam, is made using one self-striping yarn, Noro Silk Garden, and one solid color yarn, Plymouth Galway. The solid color recedes into the background and the self-striping yarn pops out as the main pattern color, giving the look of a many-colored fair isle garment without having to weave in all those ends. I’m sorry to report that Amy’s Beginning Fair Isle Tam class is already full, but the pattern is free from Knitty.com, and we’ll be happy to answer any questions should you decide to tackle it on your own. And if you’re set on learning fair isle knitting, including weaving in all the ends, take a look at Anne’s Introduction to Fair Isle class, which meets Wednesday evenings in July. She’ll even teach you how to bravely cut your knitting, creating steeks!

Come by the shop to see all three samples, and the yarns used to create them. If you hurry in today, June 19th, you can even get the Noro yarns at 25% off, on this last day of our Going to Market Sale! See you at the shop.